Now, on with the interview!
1. The
Purgatorium is incredibly different from your first YA series, The Gatekeeper’s
Saga. How did you end up writing this series?
I
actually worked on The Purgatorium long before I ever thought of The
Gatekeeper’s Saga, but it was one of those novels that didn’t come easy. I’ve
rewritten it dozens of times. It was a story that wouldn’t leave me alone, so I
kept going back to it. It was inspired by the relationship between art and
reality. I wanted to write a postmodern story that blurred the lines of reality
and fiction. Dr. Gray has this concept of living art that becomes more apparent
in the third and final book.
2. Mental
illness is a very important subject nowadays, especially depression. What led
you to deciding to write about in this series in the way that you have?
Art
is one way that people deal with pain and suffering, so I wanted to write a
story that illustrated that relationship—the cathartic power of art. In this
story, I wanted the art to be an actual and physical experience, but art none
the less.
3. Did
you find it difficult going into this series after The Gatekeeper’s Saga or was
it nice to write something very different?
I
miss my gods and goddesses, but I do enjoy going back and forth between fantasy
and realism.
4. Is
there anything you did differently when writing this series? i.e. Did you have
to do more/less research?
I
had to do a different type of research. Whereas Gatekeeper’s required a reading
of the various myths and a mastery of the many gods and their roles,
Purgatorium was all about setting. I had to know the island in and out—its
terrain, climate, wildlife, plant life.
I enjoy both types of research, though. I love learning new things.
4b.Did
you plan it differently? etc.
The
Purgatorium started out as quite a different story, focusing on the elusiveness
of truth and reality. I had to master the literary elements, and it sometimes
felt like I was wrestling an alligator. The Gatekeeper’s Saga was a much easier
series to write because it’s less metaphorical and more straight forward.
5. Now,
this might be the most difficult question of all, but who do you prefer
writing…Daphne or Therese? If neither, what are some things you enjoy about
writing Daphne? Was the story itself difficult to write being such a heavy
topic?
I
love both of these characters, but I feel sorrier for Daphne. Whereas Therese
is rarely without a support system and her battles are mostly exterior, Daphne
has a major war going on right inside of her, and she has no one she can really
trust. To be honest, I’m not quite sure how it’s all going to end for poor
Daphne. Sometimes the story and the metaphor want to go in opposite directions.
This happened to me as I was writing one of my adult novels, The Mystery Box.
The story should always win out. I never want to sacrifice the story for a
metaphor. But it’s the tension between those two that make The Purgatorium
difficult to write—not the topic of suicide and depression.
Thank you to lovely Eva for allowing us to interview her. Don't forget to enter in Eva's giveaway for your chance to win a bunch of awesome books!
Thank you! Excellent questions!
ReplyDeleteYou're welcome Eva, as always!
Deletex Ely
Such a fantastic post, Ely! Thanks so much for sharing, I'll definitely have to pick up The Purgatorium soon! :) x
ReplyDeleteYou really need to Ebony! I'm sure you'll love it!
Deletex Ely